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Frits Thaulow
Norwegian Impressionist Painter, 1847-1906
.Norwegian painter and engraver. Originally wanting to become a marine painter he studied at the art academy in Copenhagen (1870-73) as well as with the Danish marine specialist C. F. S?rensen (1818-79). He spent two winters at Karlsruhe (1873-4, 1874-5) as the pupil of Hans Gude and then went to Paris, where he spent much of the period 1875-9. His marines and coastal pictures, some of which were accepted at the Paris Salon, were only moderately successful, but he acquired a fair knowledge of contemporary French Realist art and felt that Norwegian artists should learn from it.
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A Winter Day in Norway
1886(1889 Exposition Universelle)
3' 2 1/2'' x 5' 2 1/2''(98 x 159 cm)
Painting ID:: 11789
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A_Winter_Day_in_Norway
1886(1889 Exposition Universelle)
3' 2 1/2'' x 5' 2 1/2''(98 x 159 cm)
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The Lysaker River in Summer (nn02)
1887
Oil on canvas
27 3/8 x 23 1/2'' Amell's Fine Art,Stockholm
Painting ID:: 23172
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The_Lysaker_River_in_Summer_(nn02)
1887
Oil on canvas
27 3/8 x 23 1/2'' Amell's Fine Art,Stockholm
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Camiers en 1892
mk71
Toile
H.0.22
L.0.41
Le Touquet,Musee du Touquet
Painting ID:: 31118
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Camiers_en_1892
mk71
Toile
H.0.22
L.0.41
Le Touquet,Musee du Touquet
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Village Night Scene
mk29
1865
Oil on canvas
64.1x91.4cm
Painting ID:: 38162
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Village_Night_Scene
mk29
1865
Oil on canvas
64.1x91.4cm
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snow covered buildings by a river
mk247
1890,oil on canvas,private collection
Painting ID:: 56338
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snow_covered_buildings_by_a_river
mk247
1890,oil on canvas,private collection
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Frits_Thaulow
Norwegian Impressionist Painter, 1847-1906
.Norwegian painter and engraver. Originally wanting to become a marine painter he studied at the art academy in Copenhagen (1870-73) as well as with the Danish marine specialist C. F. S?rensen (1818-79). He spent two winters at Karlsruhe (1873-4, 1874-5) as the pupil of Hans Gude and then went to Paris, where he spent much of the period 1875-9. His marines and coastal pictures, some of which were accepted at the Paris Salon, were only moderately successful, but he acquired a fair knowledge of contemporary French Realist art and felt that Norwegian artists should learn from it.
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