Oil Painting Artist::. Baron Jean-Baptiste Regnault

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     Baron Jean-Baptiste Regnault
    Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.

Baron Jean-Baptiste Regnault The Education of Achilles by the Centaur Chiron (mk05) oil painting artist
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The Education of Achilles by the Centaur Chiron (mk05)
1782 Canvas 103 x 84 1/2''(261 x 215 cm)Reception picture at the Academie Royale de Peinture et de Sculpture in 1783 Salons of 1783 and 1791;collection of the Academie Royale.INV 7282(MN)

     Painting ID::  20902
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Education_of_Achilles_by_the_Centaur_Chiron_(mk05)
1782 Canvas 103 x 84 1/2''(261 x 215 cm)Reception picture at the Academie Royale de Peinture et de Sculpture in 1783 Salons of 1783 and 1791;collection of the Academie Royale.INV 7282(MN)

Baron Jean-Baptiste Regnault The Threrr Graces (mk05) oil painting artist
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The Threrr Graces (mk05)
1793 Canvas 80 1/4 x 60 1/2''(204 x 154 cm)Bequest of Dr.Louis La Caze 1869 M I 1101(MN)

     Painting ID::  20903
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Threrr_Graces_(mk05)
1793 Canvas 80 1/4 x 60 1/2''(204 x 154 cm)Bequest of Dr.Louis La Caze 1869 M I 1101(MN)

Baron Jean-Baptiste Regnault The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd oil painting artist
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The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd
1785 Oil on canvas, 120 x 140 cm

     Painting ID::  44030
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Origin_of_Painting:_Dibutades_Tracing_the_Portrait_of_a_Shepherd
1785 Oil on canvas, 120 x 140 cm

Baron Jean-Baptiste Regnault The Genius of France between Liberty and Death oil painting artist
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The Genius of France between Liberty and Death
1795 Oil on canvas, 60 x 49 cm

     Painting ID::  44050
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Genius_of_France_between_Liberty_and_Death
1795 Oil on canvas, 60 x 49 cm

Baron Jean-Baptiste Regnault The Three Graces oil painting artist
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The Three Graces
Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.

     Painting ID::  71806
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Three_Graces
Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.

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     Baron_Jean-Baptiste_Regnault
    Paris 1754-1829 French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.

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