Oil Painting Artist::. camille corot

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     camille corot
    Paris 1796-Paris 1875 Corot's students included Alfred Sisley, Camille Pissarro, Berthe Morisot, Stanislas Lepine, Adolphe Appian and Dagnan-Bouveret. French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

camille corot the mill of Saint-Nicolas-les-Arraz oil painting artist
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the mill of Saint-Nicolas-les-Arraz
July 1874 2' 1 3/4'' x 2' 8''(65.5 x 81 cn)Bequest of Alfred Chauchard,1909 RF 1802

     Painting ID::  11019
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  the_mill_of_Saint-Nicolas-les-Arraz
July 1874 2' 1 3/4'' x 2' 8''(65.5 x 81 cn)Bequest of Alfred Chauchard,1909 RF 1802

camille corot A Morning; Dance of the Nymphs(Salon of 1850-1851) oil painting artist
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A Morning; Dance of the Nymphs(Salon of 1850-1851)
3' 2 1/2'' x 4' 3 1/2'' (98 x 131cm) Deposit from the Louvre.RF73

     Painting ID::  11020
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_Morning;_Dance_of_the_Nymphs(Salon_of_1850-1851)
3' 2 1/2'' x 4' 3 1/2'' (98 x 131cm) Deposit from the Louvre.RF73

camille corot A Nymph Playing with Cupid(Salon of 1857) oil painting artist
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A Nymph Playing with Cupid(Salon of 1857)
2' 7'' x 1' 10 1/2''(78.5 x 57 cm) Bequest of Alfred Chauchard,1909 RF 1782

     Painting ID::  11023
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_Nymph_Playing_with_Cupid(Salon_of_1857)
2' 7'' x 1' 10 1/2''(78.5 x 57 cm) Bequest of Alfred Chauchard,1909 RF 1782

camille corot View of Genoa (mk09) oil painting artist
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View of Genoa (mk09)
1834 Oil on canvas,29.5 x 39 cm Chicago(II),The Art Institute of Chicago

     Painting ID::  21301
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  View_of_Genoa_(mk09)
1834 Oil on canvas,29.5 x 39 cm Chicago(II),The Art Institute of Chicago

camille corot Trouville Fishing Boats Stranded in the Channel (mk40) oil painting artist
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Trouville Fishing Boats Stranded in the Channel (mk40)
8 1/4'' x 9 1/4''(21 x 23.5 cm)Gift of Max and Rosy Kaganovitch

     Painting ID::  25458
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Trouville_Fishing_Boats_Stranded_in_the_Channel_(mk40)
8 1/4'' x 9 1/4''(21 x 23.5 cm)Gift of Max and Rosy Kaganovitch

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     camille_corot
    Paris 1796-Paris 1875 Corot's students included Alfred Sisley, Camille Pissarro, Berthe Morisot, Stanislas Lepine, Adolphe Appian and Dagnan-Bouveret. French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

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