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Oil Painting Artist::. PERRONNEAU, Jean-Baptiste
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PERRONNEAU, Jean-Baptiste
French Rococo Era Painter, ca.1715-1783
French pastellist, painter and engraver. He was, with his older contemporary Maurice Quentin de La Tour, the most important pastel artist and portrait painter in 18th-century France. Perronneau trained first with the engraver Laurent Cars and then with the successful portrait painter Hubert Drouais. His work as an engraver, which includes prints after Charles-Joseph Natoire, Fran?ois Boucher, Edme Bouchardon and Carle Vanloo (see Vaillat and Ratouis de Limay,), did not continue beyond the 1730s. Nevertheless, his involvement with Cars, much of whose work consisted in the reproduction of portraits by artists such as Hyacinthe Rigaud, left its mark on the composition of his pastels, most of which employ the bust-length format, often within a feigned stone oval typical of 17th- and 18th-century engraved portraits. His early pastel portrait of Mme Desfriches (1744; France, A.M. Ratouis de Limay priv. col.), mother of his friend and patron, the Orl?ans collector Aignan-Thomas Desfriches,
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Madame de Sorquainville af
1749
Oil on canvas, 101 x 81 cm
Mus??e du Louvre, Paris
Painting ID:: 8497
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Madame_de_Sorquainville_af
1749
Oil on canvas, 101 x 81 cm
Mus??e du Louvre, Paris
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Portrait of Jacques Cazotte af
1760-64
Oil on canvas, 92 x 73 cm
National Gallery, London
Painting ID:: 8498
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Portrait_of_Jacques_Cazotte_af
1760-64
Oil on canvas, 92 x 73 cm
National Gallery, London
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Portrait of Charles le Normant du Coudray af
Oil on canvas, 62 x 48 cm
Mus??e Cognacq-Jay, Paris
Painting ID:: 8499
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Portrait_of_Charles_le_Normant_du_Coudray_af
Oil on canvas, 62 x 48 cm
Mus??e Cognacq-Jay, Paris
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A Girl with a Kitten
1745
Pastel
National Gallery, London.
Painting ID:: 19827
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A_Girl_with_a_Kitten
1745
Pastel
National Gallery, London.
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Antoine Le Moyne
1747
Pastel.
Painting ID:: 19828
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Antoine_Le_Moyne
1747
Pastel.
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PERRONNEAU,_Jean-Baptiste
French Rococo Era Painter, ca.1715-1783
French pastellist, painter and engraver. He was, with his older contemporary Maurice Quentin de La Tour, the most important pastel artist and portrait painter in 18th-century France. Perronneau trained first with the engraver Laurent Cars and then with the successful portrait painter Hubert Drouais. His work as an engraver, which includes prints after Charles-Joseph Natoire, Fran?ois Boucher, Edme Bouchardon and Carle Vanloo (see Vaillat and Ratouis de Limay,), did not continue beyond the 1730s. Nevertheless, his involvement with Cars, much of whose work consisted in the reproduction of portraits by artists such as Hyacinthe Rigaud, left its mark on the composition of his pastels, most of which employ the bust-length format, often within a feigned stone oval typical of 17th- and 18th-century engraved portraits. His early pastel portrait of Mme Desfriches (1744; France, A.M. Ratouis de Limay priv. col.), mother of his friend and patron, the Orl?ans collector Aignan-Thomas Desfriches,
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