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LASTMAN, Pieter Pietersz.
Dutch Baroque Era Painter, ca.1583-1633
Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.
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Abraham's Journey to Canaan sg
1614
Oil on canvas transferred from wood, 72 x 122 cm
The Hermitage, St. Petersburg
Painting ID:: 7812
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Abraham's_Journey_to_Canaan_sg
1614
Oil on canvas transferred from wood, 72 x 122 cm
The Hermitage, St. Petersburg
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Juno Discovering Jupiter with Io g
1618
Oil on oak, 54 x 78 cm
National Gallery, London
Painting ID:: 7813
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Juno_Discovering_Jupiter_with_Io_g
1618
Oil on oak, 54 x 78 cm
National Gallery, London
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The Triumph of Mordecai g
1624
Oil on panel
Museum het Rembrandthuis, Amsterdam
Painting ID:: 7814
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The_Triumph_of_Mordecai_g
1624
Oil on panel
Museum het Rembrandthuis, Amsterdam
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Odysseus and Nausicaa g
1619
Oil on panel, 91,5 x 117,2 cm
Alte Pinakothek, Munich
Painting ID:: 7815
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Odysseus_and_Nausicaa_g
1619
Oil on panel, 91,5 x 117,2 cm
Alte Pinakothek, Munich
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Orestes and Pylades Disputing at the Altar s
1614
Oil on panel, 83 x 126 cm
Rijksmuseum, Amsterdam
Painting ID:: 7816
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Orestes_and_Pylades_Disputing_at_the_Altar_s
1614
Oil on panel, 83 x 126 cm
Rijksmuseum, Amsterdam
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LASTMAN,_Pieter_Pietersz.
Dutch Baroque Era Painter, ca.1583-1633
Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.
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