Oil Painting Artist::. LANFRANCO, Giovanni

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     LANFRANCO, Giovanni
     Italian painter (b. 1582, Parma, d. 1647, Roma). Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger

LANFRANCO, Giovanni Venus Playing the Harp (Allegory of Music) sg oil painting artist
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Venus Playing the Harp (Allegory of Music) sg
1630-34 Oil on canvas, 214 x 150 cm Galleria Nazionale d'Arte Antica, Rome

     Painting ID::  7802
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Venus_Playing_the_Harp_(Allegory_of_Music)_sg
1630-34 Oil on canvas, 214 x 150 cm Galleria Nazionale d'Arte Antica, Rome

LANFRANCO, Giovanni The Annunciation y oil painting artist
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The Annunciation y
Oil on copper, 74 x 54,5 cm The Hermitage, St. Petersburg

     Painting ID::  7803
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Annunciation_y
Oil on copper, 74 x 54,5 cm The Hermitage, St. Petersburg

LANFRANCO, Giovanni Hagar in the Wilderness g oil painting artist
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Hagar in the Wilderness g
Oil on canvas, 138 x 159 cm Mus??e du Louvre, Paris

     Painting ID::  7804
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Hagar_in_the_Wilderness_g
Oil on canvas, 138 x 159 cm Mus??e du Louvre, Paris

LANFRANCO, Giovanni Miracle of the Bread and Fish oil painting artist
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Miracle of the Bread and Fish
1620-23 Oil on canvas, 229 x 426 cm National Gallery of Ireland, Dublin

     Painting ID::  7805
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Miracle_of_the_Bread_and_Fish
1620-23 Oil on canvas, 229 x 426 cm National Gallery of Ireland, Dublin

LANFRANCO, Giovanni Norandino and Lucina Discovered by the Ogre sg oil painting artist
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Norandino and Lucina Discovered by the Ogre sg
c. 1624 Oil on canvas Galleria Borghese, Rome

     Painting ID::  7806
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Norandino_and_Lucina_Discovered_by_the_Ogre_sg
c. 1624 Oil on canvas Galleria Borghese, Rome

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     LANFRANCO,_Giovanni
     Italian painter (b. 1582, Parma, d. 1647, Roma). Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger

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