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FABRITIUS, Carel
Dutch Baroque Era Painter, 1622-1654
Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
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The Goldfinch dfgh
1654
Oil on panel, 33,5 x 22,8
Mauritshuis, The Hague
Painting ID:: 6627
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The_Goldfinch_dfgh
1654
Oil on panel, 33,5 x 22,8
Mauritshuis, The Hague
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Self-Portrait sfgh
1654
Oil on canvas, 70,5 x 61,5 cm
National Gallery, London
Painting ID:: 6628
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Self-Portrait_sfgh
1654
Oil on canvas, 70,5 x 61,5 cm
National Gallery, London
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Self-Portrait 1202
c. 1645
Oil on panel, 65 x 49 cm
Museum Boymans-van Beuningen, Rotterdam
Painting ID:: 6629
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Self-Portrait_1202
c. 1645
Oil on panel, 65 x 49 cm
Museum Boymans-van Beuningen, Rotterdam
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Self-Portrait dfhm
Oil on panel, 62 x 51 cm
Alte Pinakothek, Munich
Painting ID:: 6630
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Self-Portrait_dfhm
Oil on panel, 62 x 51 cm
Alte Pinakothek, Munich
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The Beheading of St. John the Baptist dg
Oil on canvas
Rijksmuseum, Amsterdam
Painting ID:: 6631
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The_Beheading_of_St._John_the_Baptist_dg
Oil on canvas
Rijksmuseum, Amsterdam
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FABRITIUS,_Carel
Dutch Baroque Era Painter, 1622-1654
Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
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