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ANTONIAZZO ROMANO
[Italian Early Renaissance Painter, 1430-ca.1510
Antoniazzo was born in the Colonna quarter of Rome.
He was influenced at first by the decorative manner of Benozzo Gozzoli and Beato Angelico, as well as by the local painters of Lazio. His first recorded work is from 1461, a replica (untraced) of the miraculous Virgin and Child of St. Luke in the Basilica of Santa Maria Maggiore of Rome, for the seignior of Pesaro, Alessandro Sforza.
From 1464 he worked for the papal court, producing at first a triptych of the Virgin and Child with Saints in Rieti. In 1467 he completed the decoration of the funerary chapel of Cardinal Bessarion in the church of Santi Apostoli of Rome, not far from his birthplace. In the centre of the decoration was an icon of the Virgin, now in the Chapel of St Anthony, a copy of the Byzantine icon in the Santa Maria in Cosmedin, the church of the Greeks in Rome. This icon in the Santi Apostoli is one of the most remarkable examples of Antoniazzo's considerable production of Virgins, generally taken from Byzantine models: he was indeed a much sought-after copier of icons. Later he worked to a series of frescoes in the Monastery of Tor de' Specchi in Rome, featuring stories of the life of S. Francesca Romana, and to the decoration of the public rooms of the Palazzo Venezia.
In the 1470s Antoniazzo worked to the decoration of the Vatican Palace with artists like Perugino, Melozzo da Forl?? and Ghirlandaio. Through their influence his figures acquired gentler expressions and their garments were ornamented with decorative patterns, though always retaining several Medieval features.
Together with Melozzo he worked to frescoes in Santa Maria sopra Minerva, and subsequently painted for that church a famous Annunciation (1482). The painting shows the Dominican Juan de Torquemada (cardinal) (d. 1468) presenting poor girls dowered by the guild of the Annunciation that he founded to the Virgin Mary.
In the years between 1475 and 1480 Antoniazzo's production of altarpieces and panels with images of the Virgin increased as a result of the encouragement of the cult of the Virgin by Pope Sixtus IV. His later works show an increasing mannerism in their features, which were later imitated by several painters, whose works had been often attributed to the master.
Antoniazzo was one of the three founders of the Compagnia di San Luca, the guild of painters and illuminators in Rome, and signed the statutes in 1478.
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Annunciation jjj
1485
Wood
S. Maria sopra Minerva, Rome
Painting ID:: 4831
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Annunciation_jjj
1485
Wood
S. Maria sopra Minerva, Rome
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Annunciation (detail) hgh
1485
Wood
S. Maria sopra Minerva, Rome
Painting ID:: 4832
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Annunciation_(detail)__hgh
1485
Wood
S. Maria sopra Minerva, Rome
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Madonna Enthroned with the Infant Christ and Saints jj
1487
Oil on panel, 166 x 165 cm
Galleria Nazionale d'Arte Antica, Rome
Painting ID:: 4833
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Madonna_Enthroned_with_the_Infant_Christ_and_Saints_jj
1487
Oil on panel, 166 x 165 cm
Galleria Nazionale d'Arte Antica, Rome
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Nativity with Sts Lawrence and Andrew kkk
1480-85
Tempera on panel, 142 x 176 cm
Galleria Nazionale d'Arte Antica, Rome
Painting ID:: 4834
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Nativity_with_Sts_Lawrence_and_Andrew__kkk
1480-85
Tempera on panel, 142 x 176 cm
Galleria Nazionale d'Arte Antica, Rome
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Annunciation
1485 Wood S. Maria sopra Minerva, Rome Antoniazzo executed this altarpiece for the Chapel of Annunciation in Santa Maria sopra Minerva, Rome. The painting was commissioned by Cardinal Juan de Torquemada who is seen on the painting as presenting three girls to the Virgin.Artist:ANTONIAZZO ROMANO Title: Annunciation Painted in 1451-1500 , Italian - - painting : religious
Painting ID:: 63528
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Annunciation
1485 Wood S. Maria sopra Minerva, Rome Antoniazzo executed this altarpiece for the Chapel of Annunciation in Santa Maria sopra Minerva, Rome. The painting was commissioned by Cardinal Juan de Torquemada who is seen on the painting as presenting three girls to the Virgin.Artist:ANTONIAZZO ROMANO Title: Annunciation Painted in 1451-1500 , Italian - - painting : religious
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ANTONIAZZO_ROMANO
[Italian Early Renaissance Painter, 1430-ca.1510
Antoniazzo was born in the Colonna quarter of Rome.
He was influenced at first by the decorative manner of Benozzo Gozzoli and Beato Angelico, as well as by the local painters of Lazio. His first recorded work is from 1461, a replica (untraced) of the miraculous Virgin and Child of St. Luke in the Basilica of Santa Maria Maggiore of Rome, for the seignior of Pesaro, Alessandro Sforza.
From 1464 he worked for the papal court, producing at first a triptych of the Virgin and Child with Saints in Rieti. In 1467 he completed the decoration of the funerary chapel of Cardinal Bessarion in the church of Santi Apostoli of Rome, not far from his birthplace. In the centre of the decoration was an icon of the Virgin, now in the Chapel of St Anthony, a copy of the Byzantine icon in the Santa Maria in Cosmedin, the church of the Greeks in Rome. This icon in the Santi Apostoli is one of the most remarkable examples of Antoniazzo's considerable production of Virgins, generally taken from Byzantine models: he was indeed a much sought-after copier of icons. Later he worked to a series of frescoes in the Monastery of Tor de' Specchi in Rome, featuring stories of the life of S. Francesca Romana, and to the decoration of the public rooms of the Palazzo Venezia.
In the 1470s Antoniazzo worked to the decoration of the Vatican Palace with artists like Perugino, Melozzo da Forl?? and Ghirlandaio. Through their influence his figures acquired gentler expressions and their garments were ornamented with decorative patterns, though always retaining several Medieval features.
Together with Melozzo he worked to frescoes in Santa Maria sopra Minerva, and subsequently painted for that church a famous Annunciation (1482). The painting shows the Dominican Juan de Torquemada (cardinal) (d. 1468) presenting poor girls dowered by the guild of the Annunciation that he founded to the Virgin Mary.
In the years between 1475 and 1480 Antoniazzo's production of altarpieces and panels with images of the Virgin increased as a result of the encouragement of the cult of the Virgin by Pope Sixtus IV. His later works show an increasing mannerism in their features, which were later imitated by several painters, whose works had been often attributed to the master.
Antoniazzo was one of the three founders of the Compagnia di San Luca, the guild of painters and illuminators in Rome, and signed the statutes in 1478.
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