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Joseph Ducreux
1735-1802
French
French painter, pastellist and engraver. He lived in Paris from 1760 and from 1762 kept a list of his works. Among the portraits he completed in his early years were those in pastel of the well-known connoisseurs Pierre-Jean Mariette, the Comte de Caylus and Ange-Laurent de la Live de July (all untraced), which apparently were copies after Maurice-Quentin de La Tour. Ducreux has traditionally been seen as de La Tour favourite pupil, while Jean-Baptiste Greuze is supposed to have initiated him into oil painting. From his age, it can be assumed that by the time Ducreux reached Paris he had already acquired a grounding in his art.
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Self Portrait_10
1793
Painting ID:: 1013
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Self_Portrait_10
1793
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Self-Portrait as a Mocker
mk52
1793
Oil on canvas
55x46cm
Louvre,Paris
Painting ID:: 26973
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Self-Portrait_as_a_Mocker
mk52
1793
Oil on canvas
55x46cm
Louvre,Paris
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The Seamstress
mk177
1916
Oil on canvas
36x28
Painting ID:: 44821
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The_Seamstress
mk177
1916
Oil on canvas
36x28
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Portrait de lartiste sous les traits dun moqueur
1793(1793)
Medium Oil on canvas
Dimensions 91 x 72 cm (35.8 x 28.3 in)
cyf
Painting ID:: 79013
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Portrait_de_lartiste_sous_les_traits_dun_moqueur
1793(1793)
Medium Oil on canvas
Dimensions 91 x 72 cm (35.8 x 28.3 in)
cyf
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Yawning
before 1783(1783)
Medium Oil on canvas
Dimensions 45 x 35 cm (17.7 x 13.8 in)
cyf
Painting ID:: 81742
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Yawning
before 1783(1783)
Medium Oil on canvas
Dimensions 45 x 35 cm (17.7 x 13.8 in)
cyf
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Joseph_Ducreux
1735-1802
French
French painter, pastellist and engraver. He lived in Paris from 1760 and from 1762 kept a list of his works. Among the portraits he completed in his early years were those in pastel of the well-known connoisseurs Pierre-Jean Mariette, the Comte de Caylus and Ange-Laurent de la Live de July (all untraced), which apparently were copies after Maurice-Quentin de La Tour. Ducreux has traditionally been seen as de La Tour favourite pupil, while Jean-Baptiste Greuze is supposed to have initiated him into oil painting. From his age, it can be assumed that by the time Ducreux reached Paris he had already acquired a grounding in his art.
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