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Jan Both
Jan Dirksz Both (between 1610 and 1618 - August 9, 1652) Jan Both was a Dutch painter, draughtsman, and etcher, who made an important contribution to the development of Dutch Italianate landscape painting.
Both was born in Utrecht, and was the brother of Andries Both. According to Houbraken, the brothers first learned to paint from their father, who was a glass-painter or glazier there. Later Jan was a pupil of Abraham Bloemaert and still later the brothers traveled together to Rome via France. Gerrit van Honthorst has also been suggested as a teacher.
By 1638 Jan and his brother Andries were in Rome where Andries concentrated on genre works in the manner of Pieter van Laer, while Jan concentrated on landscapes in the manner of Claude Lorrain.[1] In 1639 Jan collaborated with Herman van Swanevelt and Claude Lorrain on a project for the Buen Retiro Palace in Madrid. Certainly by 1646 Jan had returned to Utrecht, where he refined further his expansive, imaginary landscapes drenched with a Mediterranean golden light. In Landscape with Bandits Leading Prisoners (Museum of Fine Arts, Boston) the sandy road makes a sweeping diagonal from the left. Touches of realism in the down-to-earth figures and detailed vegetation of the foreground contrast with the idyllic golden distance. Occasionally Both peoples his landscapes with religious or mythological figures as in Judgement of Paris (London, National Gallery) where the figures were painted by a fellow Utrecht artist, Cornelis van Poelenburch. Jan's brother Andries (c.1612-41), who specialised in peasant scenes, died in Venice as they were returning to Utrecht.
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Ruins at the Sea
first half of 17th century
Medium oil on wood
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Painting ID:: 89328
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Ruins_at_the_Sea
first half of 17th century
Medium oil on wood
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Landscape with the Judgement of Paris
1645-1650
Medium oil on canvas
Dimensions ? x ? cm
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Painting ID:: 91113
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Landscape_with_the_Judgement_of_Paris
1645-1650
Medium oil on canvas
Dimensions ? x ? cm
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An Italianate Landscape with Travelers on a Path, oil on canvas painting by Jan Both, 1645-50, Getty Center
oil on canvas
Painting ID:: 98455
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An_Italianate_Landscape_with_Travelers_on_a_Path,_oil_on_canvas_painting_by_Jan_Both,_1645-50,_Getty_Center
oil on canvas
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Italian landscape with mule driver.
between 1640(1640) and 1652(1652)
Medium oil on panel
Dimensions Height: 37.5 cm (14.8 in). Width: 50.5 cm (19.9 in).
Painting ID:: 98456
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Italian_landscape_with_mule_driver.
between 1640(1640) and 1652(1652)
Medium oil on panel
Dimensions Height: 37.5 cm (14.8 in). Width: 50.5 cm (19.9 in).
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Italian landscape.
circa 1645(1645)
Medium oil on canvas
Dimensions Height: 108.2 cm (42.6 in). Width: 125.8 cm (49.5 in).
Painting ID:: 98457
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Italian_landscape.
circa 1645(1645)
Medium oil on canvas
Dimensions Height: 108.2 cm (42.6 in). Width: 125.8 cm (49.5 in).
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Jan_Both
Jan Dirksz Both (between 1610 and 1618 - August 9, 1652) Jan Both was a Dutch painter, draughtsman, and etcher, who made an important contribution to the development of Dutch Italianate landscape painting.
Both was born in Utrecht, and was the brother of Andries Both. According to Houbraken, the brothers first learned to paint from their father, who was a glass-painter or glazier there. Later Jan was a pupil of Abraham Bloemaert and still later the brothers traveled together to Rome via France. Gerrit van Honthorst has also been suggested as a teacher.
By 1638 Jan and his brother Andries were in Rome where Andries concentrated on genre works in the manner of Pieter van Laer, while Jan concentrated on landscapes in the manner of Claude Lorrain.[1] In 1639 Jan collaborated with Herman van Swanevelt and Claude Lorrain on a project for the Buen Retiro Palace in Madrid. Certainly by 1646 Jan had returned to Utrecht, where he refined further his expansive, imaginary landscapes drenched with a Mediterranean golden light. In Landscape with Bandits Leading Prisoners (Museum of Fine Arts, Boston) the sandy road makes a sweeping diagonal from the left. Touches of realism in the down-to-earth figures and detailed vegetation of the foreground contrast with the idyllic golden distance. Occasionally Both peoples his landscapes with religious or mythological figures as in Judgement of Paris (London, National Gallery) where the figures were painted by a fellow Utrecht artist, Cornelis van Poelenburch. Jan's brother Andries (c.1612-41), who specialised in peasant scenes, died in Venice as they were returning to Utrecht.
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