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Adriaen van de Velde
(bapt. 30 November 1636, Amsterdam - bur. 21 January 1672, Amsterdam), was a Dutch animal and landscape painter, son of Willem van de Velde the Elder and brother of Willem van de Velde the Younger, the marine painter.
Adriaen did not want to become a marine painter so he was trained in the studio of Jan Wynants, the landscape painter. There he made the acquaintance of Philip Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his art. Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to Hobbema, Ruysdael, Verboom and other contemporary artists. According to Houbraken, he died while in collaboration with Jan van der Heyden and Frederik de Moucheron, painting animals on their paintings.[1]
His favourite subjects were scenes of open pasture land, with sheep, cattle and goats, which he executed with dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring. He painted a few small winter scenes with skaters, and several religious subjects, such as the Descent from the Cross, for a Roman Catholic hidden church in Amsterdam.
In addition to his paintings, of which nearly two hundred have been catalogued, he executed about twenty etchings, several of which appear from their dates to have been done in his fourteenth year. They are distinguished by directness of method and by delicacy and certainty of touch. Van de Velde lived in Kalverstraat, near the Regulierspoort.
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The Farm
Date 1666(1666)
Medium Oil on canvas over panel
cjr
Painting ID:: 85165
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The_Farm
Date 1666(1666)
Medium Oil on canvas over panel
cjr
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Amusement on the Ice
Date 1669(1669)
Medium Oil on canvas on wood
Dimensions Height: 33 cm (13 in). Width: 40.5 cm (15.9 in).
cjr
Painting ID:: 85871
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Amusement_on_the_Ice
Date 1669(1669)
Medium Oil on canvas on wood
Dimensions Height: 33 cm (13 in). Width: 40.5 cm (15.9 in).
cjr
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Cows on a Meadow
1658(1658)
Medium oil on oak
cyf
Painting ID:: 89092
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Cows_on_a_Meadow
1658(1658)
Medium oil on oak
cyf
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The Farm
1666(1666)
Medium Oil on canvas over panel
cyf
Painting ID:: 89485
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The_Farm
1666(1666)
Medium Oil on canvas over panel
cyf
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| Click Image to Enlarge |
Amusement on the Ice
1669(1669)
Medium Oil on canvas on wood
Dimensions Height: 33 cm (13 in). Width: 40.5 cm (15.9 in).
cyf
Painting ID:: 90036
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Amusement_on_the_Ice
1669(1669)
Medium Oil on canvas on wood
Dimensions Height: 33 cm (13 in). Width: 40.5 cm (15.9 in).
cyf
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Adriaen_van_de_Velde
(bapt. 30 November 1636, Amsterdam - bur. 21 January 1672, Amsterdam), was a Dutch animal and landscape painter, son of Willem van de Velde the Elder and brother of Willem van de Velde the Younger, the marine painter.
Adriaen did not want to become a marine painter so he was trained in the studio of Jan Wynants, the landscape painter. There he made the acquaintance of Philip Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his art. Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to Hobbema, Ruysdael, Verboom and other contemporary artists. According to Houbraken, he died while in collaboration with Jan van der Heyden and Frederik de Moucheron, painting animals on their paintings.[1]
His favourite subjects were scenes of open pasture land, with sheep, cattle and goats, which he executed with dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring. He painted a few small winter scenes with skaters, and several religious subjects, such as the Descent from the Cross, for a Roman Catholic hidden church in Amsterdam.
In addition to his paintings, of which nearly two hundred have been catalogued, he executed about twenty etchings, several of which appear from their dates to have been done in his fourteenth year. They are distinguished by directness of method and by delicacy and certainty of touch. Van de Velde lived in Kalverstraat, near the Regulierspoort.
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