eduard hanslick German music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time.
senta leaps toher death an art nouveau illustration of the final scene of the flying futchman mk270 senta leaps toher death an art nouveau illustration of the final scene of the flying futchman.
Painting ID:: 60388
senta_leaps_toher_death_an_art_nouveau_illustration_of_the_final_scene_of_the_flying_futchman mk270 senta leaps toher death an art nouveau illustration of the final scene of the flying futchman.
a romantic impression of wagner compoing his epic saga der ring des nibelungen mk270 a romantic impression of wagner compoing his epic saga der ring des nibelungen, a cycle of four operas completed in 1874
Painting ID:: 60390
a_romantic_impression_of_wagner_compoing_his_epic_saga_der_ring_des_nibelungen mk270 a romantic impression of wagner compoing his epic saga der ring des nibelungen, a cycle of four operas completed in 1874
eduard_hanslick German music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time.