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Ignacio Zuloaga y Zabaleta
July 26, 1870 - October 31, 1945
Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..
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Celestina
mk235
1906
Oil on canvas
Painting ID:: 54428
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Celestina
mk235
1906
Oil on canvas
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Portrait of Anita Ramxrez in Black
ca. 1916(1916)
Oil on canvas
190.8 x 130.8 cm (75.12 x 51.5 in
Painting ID:: 71413
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Portrait_of_Anita_Ramxrez_in_Black
ca. 1916(1916)
Oil on canvas
190.8 x 130.8 cm (75.12 x 51.5 in
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Portrait of Anita Ramerez in Black
Date ca. 1916(1916)
Medium Oil on canvas
Dimensions 190.8 X 130.8 cm (75.12 X 51.5 in)
cyf
Painting ID:: 72562
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Portrait_of_Anita_Ramerez_in_Black
Date ca. 1916(1916)
Medium Oil on canvas
Dimensions 190.8 X 130.8 cm (75.12 X 51.5 in)
cyf
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Dwarf Gregorio
Dwarf Gregorio
cjr
Painting ID:: 73558
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Dwarf_Gregorio
Dwarf Gregorio
cjr
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Dwarf Gregorio
Dwarf Gregorio
cyf
Painting ID:: 75350
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Dwarf_Gregorio
Dwarf Gregorio
cyf
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Ignacio_Zuloaga_y_Zabaleta
July 26, 1870 - October 31, 1945
Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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