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Antonio Ponce
Spanish, 1608-1662,Spanish painter. He had an undistinguished career in Madrid as a painter of still-lifes and flower-pieces. In 1624 Ponce was apprenticed to Juan van der Hamen y Leen, whose niece he married in 1628. The format of Ponce's compositions and some of his motifs derive from works by van der Hamen, though lacking their subtlety of composition, spatial clarity and formal conviction. In Vase of Flowers, signed and dated 1650 (Strasbourg, Mus. B.-A.), Ponce's style shows laboured imitation of van der Hamen's: his dry execution results in a paradoxically airless and petrified quality. Ponce was always a derivative artist, and some of his still-lifes with seasonal themes are similar to works by Francisco de Barrera, another modest painter with whom he was documented in the 1630s. Paintings from the 1640s and 1650s depicting baskets of fruit and bunches of grapes against light backgrounds are characterized by compositional informality, softer lighting and freer brushwork, through which Ponce attempted to convey the textures of objects and endow the subject with greater naturalness.
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Still-Life with Flowers, Artichokes and Fruit
c. 1660
Oil on canvas,
108 x 167 cm
Painting ID:: 43694
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Still-Life_with_Flowers,_Artichokes_and_Fruit
c. 1660
Oil on canvas,
108 x 167 cm
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Still-Life in the Kitchen
17th century
Oil on canvas
55 X 94 cm (21.65 X 37.01 in)
cjr
Painting ID:: 74540
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Still-Life_in_the_Kitchen
17th century
Oil on canvas
55 X 94 cm (21.65 X 37.01 in)
cjr
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in the Kitchen
Date 17th century
Medium Oil on canvas
Dimensions 55 ?? 94 cm (21.7 ?? 37 in)
cyf
Painting ID:: 76089
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in_the_Kitchen
Date 17th century
Medium Oil on canvas
Dimensions 55 ?? 94 cm (21.7 ?? 37 in)
cyf
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Antonio_Ponce
Spanish, 1608-1662,Spanish painter. He had an undistinguished career in Madrid as a painter of still-lifes and flower-pieces. In 1624 Ponce was apprenticed to Juan van der Hamen y Leen, whose niece he married in 1628. The format of Ponce's compositions and some of his motifs derive from works by van der Hamen, though lacking their subtlety of composition, spatial clarity and formal conviction. In Vase of Flowers, signed and dated 1650 (Strasbourg, Mus. B.-A.), Ponce's style shows laboured imitation of van der Hamen's: his dry execution results in a paradoxically airless and petrified quality. Ponce was always a derivative artist, and some of his still-lifes with seasonal themes are similar to works by Francisco de Barrera, another modest painter with whom he was documented in the 1630s. Paintings from the 1640s and 1650s depicting baskets of fruit and bunches of grapes against light backgrounds are characterized by compositional informality, softer lighting and freer brushwork, through which Ponce attempted to convey the textures of objects and endow the subject with greater naturalness.
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