Oil Painting Artist::. Quentin Matsys

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     Quentin Matsys
     Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.

Quentin Matsys The sad Virgin oil painting artist
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The sad Virgin
mk166 Rainaldo gives Costro, Coimbra, Portugal

     Painting ID::  41939
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_sad_Virgin
mk166 Rainaldo gives Costro, Coimbra, Portugal

Quentin Matsys The Moneylender and his Wife oil painting artist
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The Moneylender and his Wife
The Moneylender and his Wife (1514) Oil on panel, 71 x 68 cm Mus??e du Louvre, Paris

     Painting ID::  59864
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Moneylender_and_his_Wife
The Moneylender and his Wife (1514) Oil on panel, 71 x 68 cm Mus??e du Louvre, Paris

Quentin Matsys A Grotesque Old Woman oil painting artist
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A Grotesque Old Woman
A Grotesque Old Woman Oil on wood, 64 x 45,5 cm National Gallery, London.

     Painting ID::  59866
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_Grotesque_Old_Woman
A Grotesque Old Woman Oil on wood, 64 x 45,5 cm National Gallery, London.

Quentin Matsys Madonna and Child with the Lamb. oil painting artist
 Click Image to Enlarge
Madonna and Child with the Lamb.
ca. 1513(1513) Oil on wood 110 x 87 cm (43.3 x 34.3 in) cjr

     Painting ID::  80150
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madonna_and_Child_with_the_Lamb.
ca. 1513(1513) Oil on wood 110 x 87 cm (43.3 x 34.3 in) cjr

Quentin Matsys Virgin and Child oil painting artist
 Click Image to Enlarge
Virgin and Child
Date 1529(1529) Medium Oil on wood Dimensions Height: 68 cm (26.8 in). Width: 51 cm (20.1 in). cjr

     Painting ID::  83564
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Virgin_and_Child
Date 1529(1529) Medium Oil on wood Dimensions Height: 68 cm (26.8 in). Width: 51 cm (20.1 in). cjr

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     Quentin_Matsys
     Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.

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