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Paul Berthon
A truly gifted illustrator and poster artist ,
French , 1872-1909
French designer and lithographer. He began his training in Villefranche, where he studied painting, and in 1893 he moved to Paris, entering the Ecole Normale d'Enseignement du Dessin. There he became a pupil and disciple of Eug?ne-Samuel Grasset, the Professor of Decorative Arts, and was also influenced by Luc Olivier Merson. Berthon's main output consisted of posters and decorative panels. However, he also produced bookbindings and furniture designs, both of which he exhibited at the Salon in 1895; designs for ceramics for Villeroy & Boch in the late 1890s; and a few designs for the covers of such magazines as L'Image (July 1897) and Poster (May 1899). His work is in an Art Nouveau style, and he adopted that movement's plant and figural motifs, especially the motif of the femme fatale, and also its long sinuous lines.
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Christmas roses
mk85
1899
Painting ID:: 33225
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Christmas_roses
mk85
1899
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Liane de Pougy aux Folies-Bergere
mk229
Oil on canvas
Painting ID:: 53319
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Liane_de_Pougy_aux_Folies-Bergere
mk229
Oil on canvas
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Philippe de Villiers
1839(1839)
Medium Oil on canvas
cyf
Painting ID:: 88317
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Philippe_de_Villiers
1839(1839)
Medium Oil on canvas
cyf
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Philippe de Villiers de lIsle Adam prend possession de lile de Malte
1839(1839)
Medium oil on canvas
cyf
Painting ID:: 97479
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Philippe_de_Villiers_de_lIsle_Adam_prend_possession_de_lile_de_Malte
1839(1839)
Medium oil on canvas
cyf
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Paul_Berthon
A truly gifted illustrator and poster artist ,
French , 1872-1909
French designer and lithographer. He began his training in Villefranche, where he studied painting, and in 1893 he moved to Paris, entering the Ecole Normale d'Enseignement du Dessin. There he became a pupil and disciple of Eug?ne-Samuel Grasset, the Professor of Decorative Arts, and was also influenced by Luc Olivier Merson. Berthon's main output consisted of posters and decorative panels. However, he also produced bookbindings and furniture designs, both of which he exhibited at the Salon in 1895; designs for ceramics for Villeroy & Boch in the late 1890s; and a few designs for the covers of such magazines as L'Image (July 1897) and Poster (May 1899). His work is in an Art Nouveau style, and he adopted that movement's plant and figural motifs, especially the motif of the femme fatale, and also its long sinuous lines.
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