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David Young Cameron
British master of landscape and architectural views.
Glasgow ,1865-1945
is a Scottish painter and etcher. He was trained at the Glasgow and Edinburgh Schools of Art in the 1880s. From 1887-1892 he was a member of the Royal Society of Painter-Etchers. It was during this time that he published a number of sets of etchings (such as "The Clyde Set", "The North Holland Set" and "The North Italian Set"). In general his prints feature areas of great darkness, offset by highlights. Cameron would later become known for his church interiors and barren landscapes of Scotland done in drypoint. The feathery lightness of these drypoints was in visual contrast with the rock and water of the subjects. He became highly sought after by collectors, until the Great Crash in 1929 brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of states of his prints, and is believed to hold the record at twenty-eight states in one case. Cameron became a Royal Academician in 1920.
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Wilds of Assynt
mk81
c.1936
Painting ID:: 32818
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Wilds_of_Assynt
mk81
c.1936
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Battlefields of Ypres
Date 1920(1920)
Medium Oil on canvas
Dimensions Height: 198.5 cm (78.1 in). Width: 336 cm (132.3 in).
cjr
Painting ID:: 80721
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Battlefields_of_Ypres
Date 1920(1920)
Medium Oil on canvas
Dimensions Height: 198.5 cm (78.1 in). Width: 336 cm (132.3 in).
cjr
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Battlefields of Ypres
Medium Oil on canvas
cyf
Painting ID:: 84357
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Battlefields_of_Ypres
Medium Oil on canvas
cyf
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David_Young_Cameron
British master of landscape and architectural views.
Glasgow ,1865-1945
is a Scottish painter and etcher. He was trained at the Glasgow and Edinburgh Schools of Art in the 1880s. From 1887-1892 he was a member of the Royal Society of Painter-Etchers. It was during this time that he published a number of sets of etchings (such as "The Clyde Set", "The North Holland Set" and "The North Italian Set"). In general his prints feature areas of great darkness, offset by highlights. Cameron would later become known for his church interiors and barren landscapes of Scotland done in drypoint. The feathery lightness of these drypoints was in visual contrast with the rock and water of the subjects. He became highly sought after by collectors, until the Great Crash in 1929 brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of states of his prints, and is believed to hold the record at twenty-eight states in one case. Cameron became a Royal Academician in 1920.
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