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Francesco Trevisani
Italian Rococo Era Painter , Capodistria 1656-1746 Rome
was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto) Born in Capodistria (modern Koper, then part of the Republic of Venice), he was the son of Antonio Trevisani, an architect, by whom he was instructed in the first rudiments of design. He then studied in Venice under Antonio Zanchi. He moved to Rome, where he remained until his death, in 1678. His brother, Angelo Trevisani remained a prominent painter in Venice. In Rome, he was supported by Cardinal Pietro Ottoboni. He was strongly influenced by Carlo Maratta, as it is manifest in his masterpiece, the frescoes in San Silvestro in Capite (1695-1696). In this commission, he worked alongside Giuseppe Chiari and Ludovico Gimignani. In Rome, he was favored with the patronage of Cardinal Chigi. Chigi employed him in several considerable works, and recommended him to the protection of Pope Clement XI, who not only commissioned him to paint one of the Prophets in San Giovanni Laterano, but engaged him to decorate the cupola of the cathedral in Urbino. There he represented, in fresco, allegories of the four Quarters of the World, in which he displayed much invention and ingenuity. He was employed by the Duke of Modena, in copying the works of Correggio, Parmigianino, and also painted in Brunswick, Madrid, Munich, Stockholm, and Vienna. He also shows Maratta's influence in the cartoons for baptismal chapel in St. Peter's Basilica, in the oval with Prophet Baruch in San Giovanni in Laterano, and in the Death of St. Joseph in Sant'Ignazio. Trevisani painted scenes from the Life of the Blessed Lucy of Narni in the church of Narni (1714-15).
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Joseph's Dream
mk65
Oil on copper
15 3/8x11 13/16in
Uffizi,
Painting ID:: 28815
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Joseph's_Dream
mk65
Oil on copper
15 3/8x11 13/16in
Uffizi,
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Madonna Sewing with Child
mk65
Oil on copper
14 15/16x11 13/16in
Uffizi,Vasari Corridor,
Painting ID:: 28817
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Madonna_Sewing_with_Child
mk65
Oil on copper
14 15/16x11 13/16in
Uffizi,Vasari Corridor,
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The Banquet of Mark Antony and Cleopatra
mk67
Oil on canvas
25 9/16x24 13/16in
Uffizi,Vasari Corridor
Painting ID:: 30000
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The_Banquet_of_Mark_Antony_and_Cleopatra
mk67
Oil on canvas
25 9/16x24 13/16in
Uffizi,Vasari Corridor
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Dead Christ Supported by Angels
Medium Oil on panel
Dimensions Expression error: Missing operand for *30 ?? 22 cm
Painting ID:: 70466
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Dead_Christ_Supported_by_Angels
Medium Oil on panel
Dimensions Expression error: Missing operand for *30 ?? 22 cm
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Peter Baptizing the Centurion Cornelius
oil on canvas, by Francesco Trevisani
Date 1709(1709)
cyf
Painting ID:: 90728
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Peter_Baptizing_the_Centurion_Cornelius
oil on canvas, by Francesco Trevisani
Date 1709(1709)
cyf
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Francesco_Trevisani
Italian Rococo Era Painter , Capodistria 1656-1746 Rome
was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto) Born in Capodistria (modern Koper, then part of the Republic of Venice), he was the son of Antonio Trevisani, an architect, by whom he was instructed in the first rudiments of design. He then studied in Venice under Antonio Zanchi. He moved to Rome, where he remained until his death, in 1678. His brother, Angelo Trevisani remained a prominent painter in Venice. In Rome, he was supported by Cardinal Pietro Ottoboni. He was strongly influenced by Carlo Maratta, as it is manifest in his masterpiece, the frescoes in San Silvestro in Capite (1695-1696). In this commission, he worked alongside Giuseppe Chiari and Ludovico Gimignani. In Rome, he was favored with the patronage of Cardinal Chigi. Chigi employed him in several considerable works, and recommended him to the protection of Pope Clement XI, who not only commissioned him to paint one of the Prophets in San Giovanni Laterano, but engaged him to decorate the cupola of the cathedral in Urbino. There he represented, in fresco, allegories of the four Quarters of the World, in which he displayed much invention and ingenuity. He was employed by the Duke of Modena, in copying the works of Correggio, Parmigianino, and also painted in Brunswick, Madrid, Munich, Stockholm, and Vienna. He also shows Maratta's influence in the cartoons for baptismal chapel in St. Peter's Basilica, in the oval with Prophet Baruch in San Giovanni in Laterano, and in the Death of St. Joseph in Sant'Ignazio. Trevisani painted scenes from the Life of the Blessed Lucy of Narni in the church of Narni (1714-15).
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