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George Price Boyce.RWS
1826-1897
English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona, which were commended by Ruskin, and semi-abstract twilight studies
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Black Poplars at Pangbourne (mk46)
1868
Watercolur
36.8x53.3cm
Painting ID:: 26003
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Black_Poplars_at_Pangbourne_(mk46)
1868
Watercolur
36.8x53.3cm
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Night Sket ch of the Thames near Hungerford Bridge
c 1866
Watercolour,22.2 x 33.6 cm(8 3/4 x 13 1/4 in)
Tate Gallery London (mk63)
Painting ID:: 28008
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Night_Sket_ch_of_the_Thames_near_Hungerford_Bridge
c 1866
Watercolour,22.2 x 33.6 cm(8 3/4 x 13 1/4 in)
Tate Gallery London (mk63)
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Elgiva
oil on canvas Private Collection
Date 1855
cyf
Painting ID:: 73740
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Elgiva
oil on canvas Private Collection
Date 1855
cyf
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At Binsey near Oxford
A"t Binsey, near Oxford" (1862) by George Price Boyce, watercolour and ink on paper, 31.1 x 53.7 cm.
cyf
Painting ID:: 95028
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At_Binsey_near_Oxford
A"t Binsey, near Oxford" (1862) by George Price Boyce, watercolour and ink on paper, 31.1 x 53.7 cm.
cyf
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George_Price_Boyce.RWS
1826-1897
English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona, which were commended by Ruskin, and semi-abstract twilight studies
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