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Morbelli, Angelo
Italian, 1853-1919
Italian painter. He received his first lessons in drawing in Alessandria, and in 1867 he travelled on a local study grant to Milan, where he was based for the rest of his life. He enrolled at the Accademia di Brera and from 1867 to 1876 studied drawing and painting there under Raffaele Casnedi and Giuseppe Bertini, whose influence is seen in both the subject-matter and technique of his early works. These include perspectival views, anecdotal genre scenes and history paintings. In the Dying Goethe (1880; Alessandria, Pin. Civ.) the theatrical setting, enriched by a sophisticated execution and a well-modulated use of colour, derives from the teaching of Casnedi and Bertini, while the historic-romantic quality of this painting also recalls the style of Francesco Hayez. In the years that followed, Morbelli began to concentrate more on themes such as labour and the life of the poor, influenced perhaps by Realist painters of the 1880s such as Achille D'Orsi, Francesco Paolo Michetti and Teofilo Patini. Morbelli's Return to the Stable
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Sunday Dawn
1890
Oil on canvas
Private collection.
Painting ID:: 19509
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Sunday_Dawn
1890
Oil on canvas
Private collection.
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Feast Day at the Hospice Trivulzio in Milan
1892
Mus??e d'Orsay, Paris
Painting ID:: 19510
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Feast_Day_at_the_Hospice_Trivulzio_in_Milan
1892
Mus??e d'Orsay, Paris
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For 80 Cents
1893-95
Borgogna Civico, Vercelli.
Painting ID:: 19511
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For_80_Cents
1893-95
Borgogna Civico, Vercelli.
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Feast Day at the Trivulzio Hospice in Milan
mk68
oil on canvas
Paris,Orsay Museum
1892
Italy
Painting ID:: 30867
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Feast_Day_at_the_Trivulzio_Hospice_in_Milan
mk68
oil on canvas
Paris,Orsay Museum
1892
Italy
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Morbelli,_Angelo
Italian, 1853-1919
Italian painter. He received his first lessons in drawing in Alessandria, and in 1867 he travelled on a local study grant to Milan, where he was based for the rest of his life. He enrolled at the Accademia di Brera and from 1867 to 1876 studied drawing and painting there under Raffaele Casnedi and Giuseppe Bertini, whose influence is seen in both the subject-matter and technique of his early works. These include perspectival views, anecdotal genre scenes and history paintings. In the Dying Goethe (1880; Alessandria, Pin. Civ.) the theatrical setting, enriched by a sophisticated execution and a well-modulated use of colour, derives from the teaching of Casnedi and Bertini, while the historic-romantic quality of this painting also recalls the style of Francesco Hayez. In the years that followed, Morbelli began to concentrate more on themes such as labour and the life of the poor, influenced perhaps by Realist painters of the 1880s such as Achille D'Orsi, Francesco Paolo Michetti and Teofilo Patini. Morbelli's Return to the Stable
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