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Monamy, Peter
English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703
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The British Fleet Sailing into Lisbon Harbor
Oil on canvas.
Painting ID:: 19469
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The_British_Fleet_Sailing_into_Lisbon_Harbor
Oil on canvas.
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First Winner of Doggett-s Coat and Badge Race
mk175
1 August 1715
Oil on canvas
33inx42in
Painting ID:: 44706
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First_Winner_of_Doggett-s_Coat_and_Badge_Race
mk175
1 August 1715
Oil on canvas
33inx42in
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Four Prints of an election
mk175
it's included here to illustrate the importance of the painting of inn signs and shop signs generally.
Painting ID:: 44707
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Four_Prints_of_an_election
mk175
it's included here to illustrate the importance of the painting of inn signs and shop signs generally.
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the Large picture of the Royal Sovereign
mk175
Oil on canvas
7x5ft
Not Signed
it's a very big picture indeed
Painting ID:: 44708
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the_Large_picture_of_the_Royal_Sovereign
mk175
Oil on canvas
7x5ft
Not Signed
it's a very big picture indeed
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The Capture of the Princesa
mk175
1740
Oil on canvas
15x20in
Painting ID:: 44711
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The_Capture_of_the_Princesa
mk175
1740
Oil on canvas
15x20in
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Monamy,_Peter
English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703
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