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Oil Painting Artist::. Maron, Anton von
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Maron, Anton von
Austrian, 1733-1808
Austrian painter. He studied at the Vienna Akademie and, in 1755, he went to Rome, where he was based for the rest of his life. From 1756 to 1761 he was first the pupil then the assistant of Anton Raphael Mengs. In 1765 he married Mengs's sister, the miniature painter Theresia Concordia Mengs. After collaborating on Mengs's fresco paintings in Rome (at S Eusebio and the Villa Albani; both in situ), Maron, working independently in Rome, spent some time on altar pictures (S Maria dell'Anima) and on various decorative projects. Mengs's influence is evident in Maron's ceiling pictures in the casino of the Villa Borghese (1784; in situ), where five paintings tell the Story of Aeneas and Dido in the style of quadri riportati, using clear construction, sharply defined drawing and a historical concept based on antiquity. Although he received many commissions for this type of work, Maron's true gifts lay in the field of portraiture. Along with Pompeo Batoni, Maron was the most celebrated portrait painter in 18th-century Rome, and he received an enormous number of commissions from princes, diplomats and church dignitaries and from English aristocrats visiting Rome as part of their Grand Tour. Maron painted such sitters in the same style as did Batoni, usually full-length and life-size, in elegantly fashionable dress, against backgrounds of Classical sculptures and views of Rome. Portraits such as those of Francis, Prince of Anhalt Dessau
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Provost Andrews
Oil on canvas
Trinity College, Dublin.
Painting ID:: 19297
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Provost_Andrews
Oil on canvas
Trinity College, Dublin.
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Portrait of Elizabeth Hervey 4th Marchioness of Bristol
mk150
c.1778/9
76x59.5cm
Painting ID:: 39718
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Portrait_of_Elizabeth_Hervey_4th_Marchioness_of_Bristol
mk150
c.1778/9
76x59.5cm
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Portrait of Elisabeth Hervey
Oil on canvas
Dimensions Deutsch: 76 x 59,5 cm Rahmenmaße: 90,5 x 73,5 x 8 cm
cyf
Painting ID:: 80127
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Portrait_of_Elisabeth_Hervey
Oil on canvas
Dimensions Deutsch: 76 x 59,5 cm Rahmenmaße: 90,5 x 73,5 x 8 cm
cyf
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Portrait of Johann Joachim Winckelmann
1768(1768)
Medium Oil
cyf
Painting ID:: 82844
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Portrait_of_Johann_Joachim_Winckelmann
1768(1768)
Medium Oil
cyf
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Maron,_Anton_von
Austrian, 1733-1808
Austrian painter. He studied at the Vienna Akademie and, in 1755, he went to Rome, where he was based for the rest of his life. From 1756 to 1761 he was first the pupil then the assistant of Anton Raphael Mengs. In 1765 he married Mengs's sister, the miniature painter Theresia Concordia Mengs. After collaborating on Mengs's fresco paintings in Rome (at S Eusebio and the Villa Albani; both in situ), Maron, working independently in Rome, spent some time on altar pictures (S Maria dell'Anima) and on various decorative projects. Mengs's influence is evident in Maron's ceiling pictures in the casino of the Villa Borghese (1784; in situ), where five paintings tell the Story of Aeneas and Dido in the style of quadri riportati, using clear construction, sharply defined drawing and a historical concept based on antiquity. Although he received many commissions for this type of work, Maron's true gifts lay in the field of portraiture. Along with Pompeo Batoni, Maron was the most celebrated portrait painter in 18th-century Rome, and he received an enormous number of commissions from princes, diplomats and church dignitaries and from English aristocrats visiting Rome as part of their Grand Tour. Maron painted such sitters in the same style as did Batoni, usually full-length and life-size, in elegantly fashionable dress, against backgrounds of Classical sculptures and views of Rome. Portraits such as those of Francis, Prince of Anhalt Dessau
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