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Cano, Alonso
Spanish, 1601-67
Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,
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The Vision of Saint John
1635, Wallace Collection at London.
Painting ID:: 9845
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The_Vision_of_Saint_John
1635, Wallace Collection at London.
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St. John the Evangelist with the Poisoned Cup a
canvas, Mus??e du Louvre, Paris.
Painting ID:: 9846
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St._John_the_Evangelist_with_the_Poisoned_Cup_a
canvas, Mus??e du Louvre, Paris.
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St James the Greater
canvas, Mus??e du Louvre, Paris
Painting ID:: 9848
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St_James_the_Greater
canvas, Mus??e du Louvre, Paris
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The Dead Christ Supported by an Angel r
1646-52, oil on canvas, Muso del Prado at Madrid.
Painting ID:: 9849
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The_Dead_Christ_Supported_by_an_Angel_r
1646-52, oil on canvas, Muso del Prado at Madrid.
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St John the Evangelist with the Poisoned Cup (mk05)
Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
Painting ID:: 20340
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St_John_the_Evangelist_with_the_Poisoned_Cup_(mk05)
Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
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Cano,_Alonso
Spanish, 1601-67
Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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