Oil Painting Artist::. STRIGEL, Hans II

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     STRIGEL, Hans II
    German painter, Swabian school (active 1450-1480 in Memmingen). Painter. The panels of the Montfort-Werdenberg Altarpiece and a Deposition mural (1477), fragment of a series in the church at Tiefenbach, Allgäu, are documented as his. They show an artist in the tradition of Hans Multscher, using strongly foreshortened perspectives for an emphatic relaying of realities. In the 1470s he attempted to tone down the contrasts, to organize his figures after the manner of the Master of Sterzing: a change of style shown in the panels of the Mickhausener altar (Budapest, Mus. F.A.) and the Saints and Passion scenes in the Oberhaus-Museum

STRIGEL, Hans II Sts Florian, John the Baptist and Sebastian wr oil painting artist
 Click Image to Enlarge
Sts Florian, John the Baptist and Sebastian wr
c. 1480 Tempera on pine panel, 205 x 110 cm Museum of Fine Arts, Budapest

     Painting ID::  9163
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Sts_Florian,_John_the_Baptist_and_Sebastian_wr
c. 1480 Tempera on pine panel, 205 x 110 cm Museum of Fine Arts, Budapest

STRIGEL, Hans II Bread and Pitcher oil painting artist
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Bread and Pitcher
Oil, Photo taken by son of artist (author) who owns and is free to give copyright to the original work. Date 1895 cyf

     Painting ID::  97999
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Bread_and_Pitcher
Oil, Photo taken by son of artist (author) who owns and is free to give copyright to the original work. Date 1895 cyf

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     STRIGEL,_Hans_II
    German painter, Swabian school (active 1450-1480 in Memmingen). Painter. The panels of the Montfort-Werdenberg Altarpiece and a Deposition mural (1477), fragment of a series in the church at Tiefenbach, Allgäu, are documented as his. They show an artist in the tradition of Hans Multscher, using strongly foreshortened perspectives for an emphatic relaying of realities. In the 1470s he attempted to tone down the contrasts, to organize his figures after the manner of the Master of Sterzing: a change of style shown in the panels of the Mickhausener altar (Budapest, Mus. F.A.) and the Saints and Passion scenes in the Oberhaus-Museum

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