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SPADA, Lionello
Italian Baroque Era Painter, 1576-1622
Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).
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The Concert wtr
c. 1615
Oil on canvas, 143 x 172 cm
Mus??e du Louvre, Paris
Painting ID:: 9145
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The_Concert_wtr
c. 1615
Oil on canvas, 143 x 172 cm
Mus??e du Louvre, Paris
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St Jerome ear
1610s
Oil on canvas, 112 x 143 cm
Galleria Nazionale d'Arte Antica, Rome
Painting ID:: 9146
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St_Jerome_ear
1610s
Oil on canvas, 112 x 143 cm
Galleria Nazionale d'Arte Antica, Rome
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The Return of the Prodigal Son (mk05)
Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797
Painting ID:: 20374
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The_Return_of_the_Prodigal_Son_(mk05)
Canvas,63 x 47''(160 x 119 cm).Ducal Gallery in Modena;entered the Louvre in 1797
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Un concert du musique
mk70
Toile.
H.1.42
L.1.72
Maisons-Laffitte,Chateau
Painting ID:: 30998
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Un_concert_du_musique
mk70
Toile.
H.1.42
L.1.72
Maisons-Laffitte,Chateau
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Enee et Anchise
mk70
Toile
H.1.94
L.1.33
Paris,Musee du Louvre
Painting ID:: 30999
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Enee_et_Anchise
mk70
Toile
H.1.94
L.1.33
Paris,Musee du Louvre
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SPADA,_Lionello
Italian Baroque Era Painter, 1576-1622
Italian painter, active mainly in Emilia. His signature was an L placed across a sword [Ital. spada=sword]. His work shows influence of the grand manner of the Carracci, as in The Burning of Heretical Books (San Domenico, Bologna), and of Caravaggio's naturalism, seen in dramatic religious and genre scenes such as The Way to Calvary (Parma). In his late works his manner became softer and warmer under Correggio's influence. An example is The Marriage of St. Catherine (Parma).
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