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Oil Painting Artist::. SCHAUFELEIN, Hans Leonhard
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SCHAUFELEIN, Hans Leonhard
German Northern Renaissance Painter, ca.1480-1540
was a German painter, designer, and wood engraver. He was born in Nuremberg, probably studied under Wohlgemut, and then became the assistant of D??rer, whom he imitated. In 1512 he went to Augsburg and in 1515 removed to Nordlingen. He is a graceful narrator, and his types, though rarely accurately drawn, are attractive, but he lacks power and depth. Characteristic early paintings are the altarpiece at Ober Sankt Veit[1], near Vienna (1502), "Scenes from the Life of Christ" (Dresden Gallery), and "St. Jerome" (Germanic Museum, Nuremberg). To his Nordlingen period belong his masterpiece, the so-called "Ziegler Altar" for St. George's Church (1521), part of which is still in the church, part in the museum; "Scenes from the Story of Judith," in the town hall; and the illuminated Psalter for Count von Ottingen, now in the Berlin print room. His most important woodcuts are those for the Theuerdank of Emperor Maximilian.
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The Agony in the Garden fh
1516
Lime panel
Alte Pinakothek, Munich
Painting ID:: 9089
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The_Agony_in_the_Garden_fh
1516
Lime panel
Alte Pinakothek, Munich
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The Birth of Christ sft
1505-06
Wood, 27 x 15 cm
Christian Museum, Esztergom
Painting ID:: 9090
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The_Birth_of_Christ__sft
1505-06
Wood, 27 x 15 cm
Christian Museum, Esztergom
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Portrait of a Man WRY
1505
Oil on wood
Galleria Borghese, Rome
Painting ID:: 9091
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Portrait_of_a_Man__WRY
1505
Oil on wood
Galleria Borghese, Rome
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The Circumcision of Christ
1505-06
Wood, 26 x 15 cm
Painting ID:: 32619
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The_Circumcision_of_Christ
1505-06
Wood, 26 x 15 cm
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SCHAUFELEIN,_Hans_Leonhard
German Northern Renaissance Painter, ca.1480-1540
was a German painter, designer, and wood engraver. He was born in Nuremberg, probably studied under Wohlgemut, and then became the assistant of D??rer, whom he imitated. In 1512 he went to Augsburg and in 1515 removed to Nordlingen. He is a graceful narrator, and his types, though rarely accurately drawn, are attractive, but he lacks power and depth. Characteristic early paintings are the altarpiece at Ober Sankt Veit[1], near Vienna (1502), "Scenes from the Life of Christ" (Dresden Gallery), and "St. Jerome" (Germanic Museum, Nuremberg). To his Nordlingen period belong his masterpiece, the so-called "Ziegler Altar" for St. George's Church (1521), part of which is still in the church, part in the museum; "Scenes from the Story of Judith," in the town hall; and the illuminated Psalter for Count von Ottingen, now in the Berlin print room. His most important woodcuts are those for the Theuerdank of Emperor Maximilian.
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