Oil Painting Artist::. SACCHI, Andrea

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     SACCHI, Andrea
     Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,

SACCHI, Andrea The Three Magdalenes DFY oil painting artist
 Click Image to Enlarge
The Three Magdalenes DFY
1634 Oil on canvas, 68 x 50,5 cm Galleria Nazionale d'Arte Antica, Rome

     Painting ID::  9031
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Three_Magdalenes_DFY
1634 Oil on canvas, 68 x 50,5 cm Galleria Nazionale d'Arte Antica, Rome

SACCHI, Andrea St Francis Marrying Poverty d oil painting artist
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St Francis Marrying Poverty d
1633 Oil on canvas 292 x 201 cm Galleria Nazionale d'Arte Antica, Rome

     Painting ID::  9032
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Francis_Marrying_Poverty_d
1633 Oil on canvas 292 x 201 cm Galleria Nazionale d'Arte Antica, Rome

SACCHI, Andrea Hagar and Ismail in the Desert ug oil painting artist
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Hagar and Ismail in the Desert ug
c. 1630 Oil on canvas, 96 x 92 cm National Gallery of Wales, Cardiff

     Painting ID::  9033
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Hagar_and_Ismail_in_the_Desert_ug
c. 1630 Oil on canvas, 96 x 92 cm National Gallery of Wales, Cardiff

SACCHI, Andrea Portrait of Monsignor Clemente Merlini sf oil painting artist
 Click Image to Enlarge
Portrait of Monsignor Clemente Merlini sf
c. 1630 Oil on canvas Galleria Borghese, Rome

     Painting ID::  9034
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Monsignor_Clemente_Merlini_sf
c. 1630 Oil on canvas Galleria Borghese, Rome

SACCHI, Andrea Marcantonio Pasquilini Crowned by Apollo sg oil painting artist
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Marcantonio Pasquilini Crowned by Apollo sg
Oil on canvas Metropolitan Museum of Art, New York

     Painting ID::  9036
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Marcantonio_Pasquilini_Crowned_by_Apollo_sg
Oil on canvas Metropolitan Museum of Art, New York

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     SACCHI,_Andrea
     Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,

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