Oil Painting Artist::. NATTIER, Jean-Marc

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     NATTIER, Jean-Marc
    French Rococo Era Painter, 1685-1766 Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage).

NATTIER, Jean-Marc Marie Adelaide of France as Flora ag oil painting artist
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Marie Adelaide of France as Flora ag
1742 Oil on canvas, 94,5 x 128,5 cm Galleria degli Uffizi, Florence

     Painting ID::  8335
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Marie_Adelaide_of_France_as_Flora_ag
1742 Oil on canvas, 94,5 x 128,5 cm Galleria degli Uffizi, Florence

NATTIER, Jean-Marc Marie Adelaide of France as Diana sg oil painting artist
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Marie Adelaide of France as Diana sg
1745 Oil on canvas, 95 x 128 cm Galleria degli Uffizi, Florence

     Painting ID::  8336
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Marie_Adelaide_of_France_as_Diana_sg
1745 Oil on canvas, 95 x 128 cm Galleria degli Uffizi, Florence

NATTIER, Jean-Marc Madame Marsollier and her Daughter sg oil painting artist
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Madame Marsollier and her Daughter sg
1749 Oil on canvas Metropolitan Museum of Art, New York

     Painting ID::  8337
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madame_Marsollier_and_her_Daughter_sg
1749 Oil on canvas Metropolitan Museum of Art, New York

NATTIER, Jean-Marc Madame Victoire ag oil painting artist
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Madame Victoire ag
1748 Oil on canvas, 64 x 81 cm Mus??e de Versailles, Versailles

     Painting ID::  8338
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madame_Victoire_ag
1748 Oil on canvas, 64 x 81 cm Mus??e de Versailles, Versailles

NATTIER, Jean-Marc Portrait of a Young Woman Painter sg oil painting artist
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Portrait of a Young Woman Painter sg
Oil on canvas La Cour d'Or, Mus??es de Metz, Metz

     Painting ID::  8339
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Young_Woman_Painter_sg
Oil on canvas La Cour d'Or, Mus??es de Metz, Metz

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     NATTIER,_Jean-Marc
    French Rococo Era Painter, 1685-1766 Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage).

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