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HUGUET, Jaume
Spanish Early Renaissance Painter, ca.1415-1492
Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),
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The Flagellation of Christ dg
1450s
Wood, 106 x 210 cm
Mus??e du Louvre, Paris
Painting ID:: 7646
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The_Flagellation_of_Christ_dg
1450s
Wood, 106 x 210 cm
Mus??e du Louvre, Paris
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Last Supper sg
c. 1470
Wood, 172 x 164 cm
Museu Nacional d'Art de Catalunya, Barcelona
Painting ID:: 7647
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Last_Supper_sg
c. 1470
Wood, 172 x 164 cm
Museu Nacional d'Art de Catalunya, Barcelona
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Triptych of Saint George (detail) sg
1459-60
Panel
Museu Nacional d'Art de Catalunya, Barcelona
Painting ID:: 7648
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Triptych_of_Saint_George_(detail)_sg
1459-60
Panel
Museu Nacional d'Art de Catalunya, Barcelona
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Triptych of Saint George (detail) af
1459-60
Panel
Museu Nacional d'Art de Catalunya, Barcelona
Painting ID:: 7649
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Triptych_of_Saint_George_(detail)_af
1459-60
Panel
Museu Nacional d'Art de Catalunya, Barcelona
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HUGUET,_Jaume
Spanish Early Renaissance Painter, ca.1415-1492
Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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