Oil Painting Artist::. DYCK, Sir Anthony Van

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     DYCK, Sir Anthony Van
    Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

DYCK, Sir Anthony Van Portrait of Pieter Bruegel the Younger dfg oil painting artist
 Click Image to Enlarge
Portrait of Pieter Bruegel the Younger dfg
Pen drawing Teylers Museum, Haarlem

     Painting ID::  6549
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Pieter_Bruegel_the_Younger_dfg
Pen drawing Teylers Museum, Haarlem

DYCK, Sir Anthony Van Portrait of a Member of the Balbi Family oil painting artist
 Click Image to Enlarge
Portrait of a Member of the Balbi Family
c. 1625 Oil on canvas, 132,7 x 120 cm Cincinnati Art Museum, Cincinnati

     Painting ID::  6516
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Member_of_the_Balbi_Family
c. 1625 Oil on canvas, 132,7 x 120 cm Cincinnati Art Museum, Cincinnati

DYCK, Sir Anthony Van Charles I: King of England at the Hunt drh oil painting artist
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Charles I: King of England at the Hunt drh
1635 Oil on canvas Mus??e du Louvre, Paris

     Painting ID::  6517
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Charles_I:_King_of_England_at_the_Hunt_drh
1635 Oil on canvas Mus??e du Louvre, Paris

DYCK, Sir Anthony Van Charles I on Horseback fg oil painting artist
 Click Image to Enlarge
Charles I on Horseback fg
c. 1635 Oil on canvas, 365 x 289 cm National Gallery, London

     Painting ID::  6518
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Charles_I_on_Horseback_fg
c. 1635 Oil on canvas, 365 x 289 cm National Gallery, London

DYCK, Sir Anthony Van Portrait of a Young General dfgj oil painting artist
 Click Image to Enlarge
Portrait of a Young General dfgj
1622-27 Oil on canvas, 115,5 x 104 cm Kunsthistorisches Museum, Vienna

     Painting ID::  6519
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Young_General_dfgj
1622-27 Oil on canvas, 115,5 x 104 cm Kunsthistorisches Museum, Vienna

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     DYCK,_Sir_Anthony_Van
    Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

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