Oil Painting Artist::. CIGNANI, Carlo

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     CIGNANI, Carlo
    Italian Baroque Era Painter, 1628-1719 Italian painter and draughtsman. He was the leading master in Bologna during the later decades of the 17th century, commanding a position of authority comparable to that of Carlo Maratti in Rome. He bore the title of Conte, and his biographer Giovan Pietro Zanotti wrote that he 'always worked for glory, not for need'. Zanotti's emphasis on Cignani's 'new manner' refers to the reflective, intimate mood of his art, presaged in the later pictures of Guido Reni and Guercino, and in those of Simone Cantarini. This gentle manner, which prevailed in the second half of the 17th century,

CIGNANI, Carlo Joseph and Potiphar s Wife oil painting artist
 Click Image to Enlarge
Joseph and Potiphar s Wife
1678-80 Oil on canvas, 99 x 99 cm Gemäldegalerie, Dresden

     Painting ID::  6024
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Joseph_and_Potiphar_s_Wife
1678-80 Oil on canvas, 99 x 99 cm Gemäldegalerie, Dresden

CIGNANI, Carlo Joseph and Potiphar's Wife oil painting artist
 Click Image to Enlarge
Joseph and Potiphar's Wife
1678-80 Oil on canvas, 9 x 99 cm

     Painting ID::  51209
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Joseph_and_Potiphar's_Wife
1678-80 Oil on canvas, 9 x 99 cm

CIGNANI, Carlo Bei Corley's portrait oil painting artist
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Bei Corley's portrait
mk261 Bergamo 1632 oil on canvas 108 x 78.5 cm

     Painting ID::  58376
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Bei_Corley's_portrait
mk261 Bergamo 1632 oil on canvas 108 x 78.5 cm

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     CIGNANI,_Carlo
    Italian Baroque Era Painter, 1628-1719 Italian painter and draughtsman. He was the leading master in Bologna during the later decades of the 17th century, commanding a position of authority comparable to that of Carlo Maratti in Rome. He bore the title of Conte, and his biographer Giovan Pietro Zanotti wrote that he 'always worked for glory, not for need'. Zanotti's emphasis on Cignani's 'new manner' refers to the reflective, intimate mood of his art, presaged in the later pictures of Guido Reni and Guercino, and in those of Simone Cantarini. This gentle manner, which prevailed in the second half of the 17th century,

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