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BERCKHEYDE, Job Adriaensz
Dutch painter (b. 1630, Haarlem, d. 1693, Haarlem).
He was apprenticed on 2 November 1644 to Jacob Willemsz. de Wet, whose influence is apparent in his first dated canvas, Christ Preaching to the Children (1661; Schwerin, Staatl. Mus.), one of the few biblical scenes in his oeuvre. On 10 June 1653 he repaid a loan from the Haarlem Guild of St Luke, which he subsequently joined on 10 March 1654. During his stay in Heidelberg, Job painted portraits and hunting scenes at the court of the Elector Palatine, who rewarded him with a gold chain, perhaps the one he wears in his early Self-portrait (c. 1655; Haarlem, Frans Halsmus.), his only documented work from the 1650s. Job is better known for his later work, which consists mainly of interior views of St Bavo's church in Haarlem and simple genre scenes recalling those of his Haarlem contemporaries Adriaen van Ostade and Jan Steen.
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Interior of the St Bavo Church at Haarlem fs
1665
Oil on oak, 61 x 85 cm
Gemäldegalerie, Dresden
Painting ID:: 5157
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Interior_of_the_St_Bavo_Church_at_Haarlem_fs
1665
Oil on oak, 61 x 85 cm
Gemäldegalerie, Dresden
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Interior of the St Bavo in Haarlem
1668
Oil on canvas
Frans Halsmuseum, Haarlem
Painting ID:: 5159
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Interior_of_the_St_Bavo_in_Haarlem
1668
Oil on canvas
Frans Halsmuseum, Haarlem
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The Baker ghgj
1681
Oil on canvas
Worcester Art Museum, Worcester
Painting ID:: 5160
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The_Baker_ghgj
1681
Oil on canvas
Worcester Art Museum, Worcester
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A Notary in His Office
Technique Oil on canvas
Dimensions 79 x 62 cm
Current location Private collection
Painting ID:: 68252
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A_Notary_in_His_Office
Technique Oil on canvas
Dimensions 79 x 62 cm
Current location Private collection
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The Baker
Technique Oil on canvas
Dimensions ?? cm
Current location Worcester Art Museum
Painting ID:: 68253
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The_Baker
Technique Oil on canvas
Dimensions ?? cm
Current location Worcester Art Museum
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BERCKHEYDE,_Job_Adriaensz
Dutch painter (b. 1630, Haarlem, d. 1693, Haarlem).
He was apprenticed on 2 November 1644 to Jacob Willemsz. de Wet, whose influence is apparent in his first dated canvas, Christ Preaching to the Children (1661; Schwerin, Staatl. Mus.), one of the few biblical scenes in his oeuvre. On 10 June 1653 he repaid a loan from the Haarlem Guild of St Luke, which he subsequently joined on 10 March 1654. During his stay in Heidelberg, Job painted portraits and hunting scenes at the court of the Elector Palatine, who rewarded him with a gold chain, perhaps the one he wears in his early Self-portrait (c. 1655; Haarlem, Frans Halsmus.), his only documented work from the 1650s. Job is better known for his later work, which consists mainly of interior views of St Bavo's church in Haarlem and simple genre scenes recalling those of his Haarlem contemporaries Adriaen van Ostade and Jan Steen.
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