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Philips Koninck
1619-1688
Dutch
Philips Koninck Gallery
Little is known of his history except that he was said to be a pupil of Rembrandt, whose influence is to be seen in much of his work. He painted chiefly broad, sunny landscapes, full of space, light and atmosphere; they are seen from a high perspective, allowing a prominent view of the sky. Portraits by him, somewhat in the manner of Rembrandt, also exist (e.g. see Joost van den Vondel); there are examples of these in the galleries at Copenhagen and Oslo. Of his landscapes, the principal are View at the mouth of a river at the Hague, with a slightly larger replica in the National Gallery, London; Woodland border and countryside (with figures by Adriaen van de Velde) at Amsterdam; and landscapes in Brussels, Florence (the Uffizi), Berlin and Cologne. Koninck, a prosperous businessman, appears to have painted few pictures during the last decade of his life.
Several of his works have been falsely attributed to Rembrandt and many more to his namesake and fellow townsman Salomon de Koninck (1609-1656), also a disciple of Rembrandt, whose paintings and etchings consist mainly of portraits and biblical scenes.
Both of these painters are to be distinguished from David Koninck (1636?-1687), also known as Rammelaar. David Koninck was born in Antwerp and studied there under Jan Fyt. He later settled in Rome, where he is stated to have died in 1687; this, however, is doubtful. His pictures are chiefly landscapes with animals and still life.
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Wide River Landscape
Metropolitan Museum of Art, New York
Painting ID:: 2233
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Wide_River_Landscape
Metropolitan Museum of Art, New York
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Dutch Landscape Viewed from the Dunes
1664
Oil on canvas
122 x 165 cm
Gemaldegalerie
Dresden
Painting ID:: 10206
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Dutch_Landscape_Viewed_from_the_Dunes
1664
Oil on canvas
122 x 165 cm
Gemaldegalerie
Dresden
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An Extensive Landscape with a Hawking Party
Oil on canvas,
132 x 160 cm
National Gallery
London
Painting ID:: 10207
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An_Extensive_Landscape_with_a_Hawking_Party
Oil on canvas,
132 x 160 cm
National Gallery
London
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An Extensive Landscape with a Road by a Ruin
1655Oil on canvas
137,4 x 167,3 cm
National Gallery,
London
Painting ID:: 10209
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An_Extensive_Landscape_with_a_Road_by_a_Ruin
1655Oil on canvas
137,4 x 167,3 cm
National Gallery,
London
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Village on a Hill (mk08)
1651
Oil on canvas
61x83cm
Winterthur,Sammlung Reinhart
Painting ID:: 21785
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Village_on_a_Hill_(mk08)
1651
Oil on canvas
61x83cm
Winterthur,Sammlung Reinhart
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Philips_Koninck
1619-1688
Dutch
Philips Koninck Gallery
Little is known of his history except that he was said to be a pupil of Rembrandt, whose influence is to be seen in much of his work. He painted chiefly broad, sunny landscapes, full of space, light and atmosphere; they are seen from a high perspective, allowing a prominent view of the sky. Portraits by him, somewhat in the manner of Rembrandt, also exist (e.g. see Joost van den Vondel); there are examples of these in the galleries at Copenhagen and Oslo. Of his landscapes, the principal are View at the mouth of a river at the Hague, with a slightly larger replica in the National Gallery, London; Woodland border and countryside (with figures by Adriaen van de Velde) at Amsterdam; and landscapes in Brussels, Florence (the Uffizi), Berlin and Cologne. Koninck, a prosperous businessman, appears to have painted few pictures during the last decade of his life.
Several of his works have been falsely attributed to Rembrandt and many more to his namesake and fellow townsman Salomon de Koninck (1609-1656), also a disciple of Rembrandt, whose paintings and etchings consist mainly of portraits and biblical scenes.
Both of these painters are to be distinguished from David Koninck (1636?-1687), also known as Rammelaar. David Koninck was born in Antwerp and studied there under Jan Fyt. He later settled in Rome, where he is stated to have died in 1687; this, however, is doubtful. His pictures are chiefly landscapes with animals and still life.
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