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Johan Thorn Prikker
1868-1932 Dutch Johan Thorn Prikker Gallery
Dutch painter, printmaker, mosaicist and stained-glass artist. He attended the Koninklijke Academie van Beeldende Kunsten in The Hague (1881-8). During this period he painted mainly landscapes in the style of The Hague school. Until c. 1896 he produced Symbolist works, in which the emphatic line flow and the subtle colour shading are especially noticeable, for example The Bride (1893; Otterlo, Kr?ller-M?ller). From 1892 until 1897 he corresponded with Henri Borel, partly about his Symbolist work, often drawing in the letters. During this time he came into close contact with Belgian artists, in particular with Henry Van de Velde through whom he was able to exhibit with Les XX in Brussels. In summer he regularly stayed in Vise, where he produced pastel drawings in a rhythmic pointillism, a style with which he could achieve a form of abstraction.
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The Bride
1893 Rijksmuseum Kroller-Muller, Otterlo
Painting ID:: 2163
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The_Bride
1893 Rijksmuseum Kroller-Muller, Otterlo
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Madonna among the Tulips (Before the Cross) (mk09)
1893
Oil on canvas,146 x 86 cm
Otterloo,Rijksmuseum Kroller-Muller
Painting ID:: 21546
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Madonna_among_the_Tulips_(Before_the_Cross)_(mk09)
1893
Oil on canvas,146 x 86 cm
Otterloo,Rijksmuseum Kroller-Muller
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Madonna among the Tulips
mk87
1893
Oil on canvas
146x86cm
Otterloo,Rijksmuseum Kroller Muller
Painting ID:: 34008
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Madonna_among_the_Tulips
mk87
1893
Oil on canvas
146x86cm
Otterloo,Rijksmuseum Kroller Muller
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Johan_Thorn_Prikker
1868-1932 Dutch Johan Thorn Prikker Gallery
Dutch painter, printmaker, mosaicist and stained-glass artist. He attended the Koninklijke Academie van Beeldende Kunsten in The Hague (1881-8). During this period he painted mainly landscapes in the style of The Hague school. Until c. 1896 he produced Symbolist works, in which the emphatic line flow and the subtle colour shading are especially noticeable, for example The Bride (1893; Otterlo, Kr?ller-M?ller). From 1892 until 1897 he corresponded with Henri Borel, partly about his Symbolist work, often drawing in the letters. During this time he came into close contact with Belgian artists, in particular with Henry Van de Velde through whom he was able to exhibit with Les XX in Brussels. In summer he regularly stayed in Vise, where he produced pastel drawings in a rhythmic pointillism, a style with which he could achieve a form of abstraction.
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