Fra Bartolommeo Italian c1474-c1517
Fra Bartolommeo Location
Italian painter and draughtsman. Vasari and later historians agree that Fra Bartolommeo was an essential force in the formation and growth of the High Renaissance. He was the first painter in Florence to understand Leonardo da Vincis painterly and compositional procedures. Later he created a synthesis between Leonardos tonal painting and Venetian luminosity of colour. Equally important were his inventions for depicting divinity as a supernatural force, and his type of sacra conversazione in which the saints are made to witness and react to a biblical event occurring before their eyes, rather than standing in devout contemplation, as was conventional before. His drawings, too, are exceptional both for their abundance and for their level of inventiveness. Many artists came under his influence: Albertinelli, Raphael, Andrea del Sarto, Titian, Correggio, Beccafumi, Pontormo and Rosso Fiorentino.
The Annunciation with Saints Margaret Mary Magdalen Paul John the Baptist Jerome and Francis (mk05) Wood 38 x 30 1/4(96 x 77 cm)Collections of Francois Iand Louis XIV;entered the Louvre in 1515-1530
Painting ID:: 20153
The_Annunciation_with_Saints_Margaret_Mary_Magdalen_Paul_John_the_Baptist_Jerome_and_Francis_(mk05) Wood 38 x 30 1/4(96 x 77 cm)Collections of Francois Iand Louis XIV;entered the Louvre in 1515-1530
The Mystic Marriage of st Catherine of Siena,with Eight Saints (mk05) 1511
Wood,101 1/4 x 90\'\'(257 x 228 cm)From the Collegiate Church in Autun;entered the Louvre in 1800 Inv
Painting ID:: 20157
The_Mystic_Marriage_of_st_Catherine_of_Siena,with_Eight_Saints_(mk05) 1511
Wood,101 1/4 x 90\'\'(257 x 228 cm)From the Collegiate Church in Autun;entered the Louvre in 1800 Inv
Fra_Bartolommeo Italian c1474-c1517
Fra Bartolommeo Location
Italian painter and draughtsman. Vasari and later historians agree that Fra Bartolommeo was an essential force in the formation and growth of the High Renaissance. He was the first painter in Florence to understand Leonardo da Vincis painterly and compositional procedures. Later he created a synthesis between Leonardos tonal painting and Venetian luminosity of colour. Equally important were his inventions for depicting divinity as a supernatural force, and his type of sacra conversazione in which the saints are made to witness and react to a biblical event occurring before their eyes, rather than standing in devout contemplation, as was conventional before. His drawings, too, are exceptional both for their abundance and for their level of inventiveness. Many artists came under his influence: Albertinelli, Raphael, Andrea del Sarto, Titian, Correggio, Beccafumi, Pontormo and Rosso Fiorentino.